Thursday 29 September 2016

 


A COLD SON OF A BITCH


                                                        ‘yet why not say what happened’
                                                                                          Robert Lowell


John looked from the kitchen window, the sink he stood by was like the interior of a

Well-worn tea pot or the inside of his lungs sucking on yet another cigarette.

He ejected the stale teabags from the teapot he thought I must go to the doctors today

and get that disability living allowance form filled in and get a mobility allowance

and have a new car instead of that almost unrepairable rusted old banger.  He remembered how

the car looked in the night’s subtle pastel glow, and said god you’re a bastard you and

your cold light of morning.


Opening a cupboard in the hall he dragged a filthy pair of overalls from a pile of

clothes on the floor and stepped into them tucked his hair into a tweed cap and lifted

the toolbox.  The morning was a little cool but the sun was coming up strong above

the grey housing estate, ‘this is going to be a good day’, he thought sucking in the

almost fresh air.  Opening the passenger door of the car creaking like a great sigh

reaching in he delved between unsecured seating, busted wings and an exhaust

hauling a jack from the debris.  He took the cross shaped wheel brace and placed it on

one of the four rusted nuts before taking hold he stooped and spat on his hands gripped

the brace and turned with all his might and tried to budge the nut as if it

was his last task on earth?  He cursed the car and gave it everything he had, all a sixty

year old worn heart could muster.  A heart like a prune without syrup dried and left in

the searing desert of hurt too long,’ ya red bastard, ya German fucker, ya useless heap

of shit.


He mumbled as the sweat broke on his brow.  He rested a while leaning, took a cigarette

from his top pocket lit and sucked, he licked the beads of sweat that fell across his lips

he ran his tongue across his lips once more they were cold and grey he licked once

more unsure and tasted death.


On the morning of his funeral a letter drifted through the letter box, one of his pallbearer

four sons opened it and it read, we are pleased to inform you that you have

been awarded motability.


THE NOTEBOOK


Although it was late morning the sun was still warm over the south side of
Dublin draining yet another cold winter from the earth and from the hearts of the
poor.  One didn’t have to see the sun or feel the heat to know that summer had arrived
In Rathmines, the stench of the Grand Canal lingered with the cities grime.

As the church bells rang out little Maggie blessed herself and continued polishing Mrs. Mahon’s side board.  Every Saturday she helped her mother clean the houses of the rich to help boost her measly widows pension from the Ministry of defense.  Her father died the previous year, cut down in his prime just twenty- seven from tuberculosis, leaving a gaping wound in the hearts of a devoted wife and five children.  Maggie worked alone this day, her mother was away bringing a life into the world as he was the unofficial midwife of the area.  The duster glided across the dark wood and she escaped into her Hollywood dreams dancing and singing songs by Judy Garland with her friends on the lochs of the canal, the stench of the filthy river forgotten.  She took a small worn notebook from the pocket in her drab tunic and flicked through the pages of scribbled signatures and stopped at Judy Garland, a sense of pride filled her cheeks recalling the crowds of screaming fans she battled through for that autograph.  That little book held her treasures and was as important as her prayer book and her legion with Mary.

She turned to the last page autographed by Rita Hayward, she remembered her
friends not believing her when she showed them the book.
‘You done that yourself’ they said sitting on a bench that ran along the canal, Pam
and Mary squeezed in trying to make some sense of the scribbled line.
‘I can’t make head nor tail of it’, said Pam, ‘if you gave our jimmy a bleeding pen
you’d make more sense of it’ said Mary how did you get it they asked together?
well said Maggie’, ‘I was in Woolworth’s getting threads for my mother when this
blond lady with sunglasses came in the queue behind holding a little girls hand’.
‘Caught ya, Na na na na na said Pam, Rita Hayward hasn’t got
blond hair, ‘I know said Maggie but I remember Rinty the bell boy at the Gresham hotel
had told me she was visiting Dublin.  ‘I read that in her next role she would be blond,
so there’.  I waited at the front and when she came out’ ‘I said’, ‘Miss Hayward could I have your autograph’, ‘what makes you think I’m Miss Hayward, she said removing her
 sunglasses . I told her that I read about her next role as a blond and I knew she had a
little girl.  She said for knowing so much I will sign and handed me an orange from her bag and asked my name and shook my hand.  The two girls looked again at the scrawl of ink and knew it was Rita Hayward’s and skipped off home along the path.  Finishing her chores she fell into the role of a movie queen strolling the highly polished hall.  As she neared the wide steep staircase her hands raised like a ballet dancer pirouetting in a beautiful gown in place of her drab tunic that hung around her like an apron of poverty.  No longer a buck toothed thirteen year old Dublin girl she was the queen of Hollywood.  She strode the staircase with the strength of Joan Crawford or Bette  Davis as she neared the last flight her step lightened and fell with a thud into reality and
Mrs. Mahon stood at the foot of the stairs.

She looked forward to the one shilling wage and the home made cakes and tarts made
from apples and pears picked from her garden and the goodness of her heart.
As she reached the bottom step Mrs. Mahon said in her soft upper class polite tone
’would you do me a favour Maggie’, the little girl nodded in response.
Go to Dan Dooley’s and get an ounce of tea, half a sugar and quarter butter and keep
the change, and Mrs. Mahon handed her a shilling and she put in her pocket with the
notebook.  A small thin man she knew as Mrs. Mahon’s brother in law stepped out of the darkened room behind her.  ‘I'm going your way’, he said,' I'll walk with you’.
Maggie wanted to rush there and back and get her wage and get home quickly.
She looked  at the little man with greased back dark hair wearing a suit that hung on
him like a hospital gown.  She looked into his eyes and sensed a sadness and thought
it would be alright to walk with him and the big door closed behind them.

As they walked out he felt the heat of summer reacting to the searing heat in his chest
distorting his view, she smelt the strong scent of summer and said in a rush of
embarrassed utterance, ‘ I take a short cut over two walls and across’ and before she
had time to finish,  It’s quicker this way’,  he said and grabbed her arm  and held her
scream.  He hauled her fresh young body across the garden past the big window of the
lonely house and down the side towards the back, while the flashes of red bricked
confusion seared through her young mind. His greased back hair fell about his thin face like a demon revealing his horns,  her eyes leered with tear filled muffled silence to the rusting rooF of the shed.  She cleared those two walls as if they weren’t there, that evil man had torn her soul
her life and legion with Mary.

She clambered towards the canal feeling a hurt worse than the grief of her dad, the
soiled blood ran down her soft white legs. The next thing she never knew she was waist deep in the canal delving between her legs washing away the filth of the devil.  The notebook and the money fell from her pocket and washed away in the cities grime,  her dreams of innocence washed away with the filthy river.  The river bed of broken glass and rotting metal took blood from her feet but she was numb to feel it through here well-worn plim-soles. She ran through the great doors of the chapel and settled under one of the worn down pews and huddled into a ball doing penance on the stone cold floor of loss, the lonely lingering stench of stained immaculate conceptions engulfed her.

‘ Come out of there child, I thought you were a flea bitten dog, what’s wrong girl’,
said the voice of the servant of god.  Shivering she got of her hunkers and looked at
him in disbelief, why doesn’t he know what happened she said to herself.
A gibberish flow about losing Mrs. Mahon’s money came flowing like the confusion
of pollution in her mind,‘go home to your mother’, said the priest, ‘God bless you girl’
said the servant of god.

Mrs Mahon’s brother in law died of cancer some months later and Maggie knelt in the

chapel praying as the priest looked on.

THE FIFTY PENCE PIECE

Mickey Reilly sat on his single bed looking out onto the busy road. The dark nights were slowly creeping in as the lights of the traffic flickered through the rain splattered window creeping out of the city. His record player and amp lit up the tiny bed-sit beside his record collection of music. The raw bass and distorted guitar of Gang of Fours to hell with poverty, ‘well get drunk on cheap wine’, he sang along as if the line came straight of his head, the record collection was his life. He was rein acting a scene. He was walking through St Anne's park smoking a cigarette as he passed the band stand where the local bands played a free summer festival, A Lark in the Park. He fixed the length of blue nylon rope burnt at both ends to stop it fraying around his neck and tucked the ends into his bomber jacket and zipped it up to his neck. It was a crisp winters night the stars glowing clearly above him. As he walked through the arches of the rose gardens he saw a puff of smoke rising from the dark figure seated at the bench. The man turned to look up at Mickey now in line, the white strip around his neck shone like the stars. "What about ya, father he said, lovely night', 'yeah it is son, been sitting here watching the stars and listening to the sea out there beyond the darkness'. 'Come and sit down here son and listen', he patted the seat beside him. He sat beside the dark figure his arm across the back of the bench, his right foot rested on his left knee he shifted closer to the dark figure.  "Can I have one of your smokes Father', he said, 'have you no smokes son', said the priest, "no Father, I've got fifty pence to my name father'. Taking it out his pocket flicking into the air to let it drop in his palm.  "I could tell you a story about a fifty pence piece just like this one father'.  "I'm sure you could son', said the priest handing him a cigarette.  The priest lit his lighter and reached over to light Michaels cigarette. The lighter lit up the darkness between them, he looked deeply into the priest’s eyes, pulled back on his right arm on the back of the bench and let it go to collide like a hammer with the side of the priest’s head.  He opened his jacket and pulled out the rope found its center and dragged it through the priest’s teeth from behind like a bit in a horse’s mouth. Crossed the end of the rope lacing it across his back and round to bind the priest’s hands and place him back on the bench. The priest began to come to he sat on the bench beside him his arm wrapped tightly around him. Now father he said I want you to shut the fuck up so I can tell you a story about a fifty pence piece just like this one, flicking it through the air to land in his palm.

He took the blank "Black n' Red" book from the shelf above his bed between a small selection of books and CD's and a book of Charles Baudelaire's poems fell on the bed. As he lifted it to put it back on the shelf his eye caught something on the page and he began to read out loud. To the Reader; Stupidity, delusion, selfishness and lust torment our bodies and possess our minds.

He discarded the book and opened the Red n" Black A4 notebook. He flicked it open to the first blank page, signed his name and the date November 2002. He looked at the page littered with lines until the lines began to merge into an image.

He lifted the pen and began to write. The rain beat off the window outside like the rhythm of the pen, the ink catching a tiny glimmer of light moving across the page before it dried into reality.  He was twelve in 1972, it was a Sunday one of the gang said let’s rob the egg factory.  He couldn't remember if it was Hardbap or Haggis who suggested it but they sprang into action and got together a couple of giders and old prams and headed off to rob the egg factory. They broke in through a back window but had no way out through the smashed window with the boxes of eggs. With all the eggs they couldn’t take they had a riot in the massive factory space. Mickey unleashed the fork lift from its power point being charged and crashed it into every wall before getting the forks wedged under the steel door and prized the roller door up to let them out and stack the boxes of eggs onto the giders and prams. They headed off across the fields through the gypsy camp where they gave out a few dozen of the eggs to the women who sat around outside one of the caravans talking, some of the kids ran after them, the boys calling out, 'give us some of your eggs' until the women called them back saying leave them good boys alone. They took the boxes off the transport and carried them up the steep hill then piled them back on top and wheeled them across the all-weather pitch through the kid’s playground and past the army sandbag post.

The two young soldiers taunted them shouting out through the gap in the sandbags 'Oi mate where did you steal them eggs'.  Razor walked up to them and looked up into the gap and said that's 'none of your fucking business, you British bastards', dragged a greenhorn up from his gut and spat at them.  They waited for a gap in the traffic and dashed the cargo across the main road that was the divide between the Catholic's and the Protestants. They feared being approached by a rival gang, they would have a punch up or a mini riot with them and maybe they would end up with the eggs but that was nothing compared to what would have happened had they sold the eggs to their own community, they would have had the Ra to deal with.  They split up on the other side off the road and began knocking on the doors of the houses of the three streets that ran off the main road careful not to go too deep into the Protestant area. Within no time the eggs had disappeared and the money was in their sky rockets. Only one suspicious lady asked where they came from. Mickey said his Da was in a van selling them in the next street. Before crossing the main road, they piled into the shop on the Protestant side of the road and each bought 20 smokes, lemonade crisps and chocolate bars. They passed the army post again where one of the soldiers said give us a couple of fag’s mate. Hardbap removed two smokes from his box held them in his hand shoved them down the front of his trousers rubbed the fags around his balls before taking them out and throwing them through the gap in the sandbags calling out British bastards running across the pitch laughing. They sat in a burnt out car in a back alley smoking, eating, drinking and laughing before heading home for tea. Mickey hung his coat on the rail just inside the front door. After tea his Ma said she was going out to see Aunt Anne who lived up the street. As she lifted his Harrington jacket off the rail to get her coat below it, she felt it was heavy, she shook it and heard the money rattling. She took the coat in to where mickey and his sister were finishing their tea. She spilt the contents of his pockets out on the table the money cigarettes and chocolate bars scattered everywhere, 'where did you get this', she asked and grabbed him by the scruff of the neck dragging him into the living room she sat him down on the chair. Now look up at that picture and tell me where you got the money. He looked up at the sacred heart picture and said we found crates of lemonade bottles and brought them back to the shop and we got some copper and lead from the burnt buses and sold it to the gypos.   You’re a liar she said you wouldn’t get that much money from a few bottles and a bit of scrap.  The doorbell rang and she answered the door it was Hardbap were you with Michael today she asked the boy yes he said come in here then she sat him down on the sofa and said look up at that picture and tell me where you got the money today. Then Haggis, Razor, GG and Cash called and they all sat there in the living room looking up at the picture of Jesus on the wall in silence. Eventually Michael couldn’t stand the silence and embarrassment and admitted that they robbed the egg factory. She told the boys to leave telling them that each of their parents would be told. She told him to go to his room as he climbed the stairs she said I'm putting that money in an envelope and your bringing it up to the priest tomorrow after school.

The old lady ushered him through the front door of the Parochial house asking his name and telling him to sit on the bench like a small pew and wait for the priest. He was physically shaking with nerves and felt sick to his stomach as the minutes ticked by on the big clock in the hall. The priest eventually came through dressed in his ceremonial robes. Michael Reilly he said and he mumbled 'yes, 'I was talking to your mother today come in here he said and he followed him into a library with a desk in the middle of the room surrounded by shelves of books along each wall.

Do you have the envelope with you, he took it out of his pocket and handed it to him as he sat down behind the desk? 'You know you done wrong boy don't you', 'yes father’, ‘you won’t do anything like this again will you son', 'no father' he said. 'Bringing shame on the good name of your family', 'no father, I'll never do wrong again father’, almost beginning to cry. 'OK I believe you son,' said the priest, ‘but one thing I don't understand, why did you sell the eggs to the Protestants'. 'I'm going to send this envelope of money back to the egg factory I won’t say it was you if you swear you won’t do this again', 'I swear father I swear'. 'OK', said the priest,' come here boy' pointing to the floor beside his chair. He reached over and held his arm and looked up at him, 'now you know because you have done a wrong deed and brought shame to your poor mother you have to do penance to pray for forgiveness', 'yes father I know'.   'OK when you leave here I want you to go to the chapel and say six hail Mary's and three our fathers and ask god for his forgiveness', 'yes father I promise letting out a sigh of relief and moving to turn. 

'Not so quick boy,' said the priest gripping his arm even harder. He pulled back his chair and ordered Michael to stand in front of the desk he stood there in front of the desk trembling. "Now look boy', said the priest from behind him he turned his head to see the priest fumbling under his robes and pull his hand out with a fifty pence piece. He held it up for him to see 'I'm going to put this in your pocket OK', and he let it drop into the front pocket of his trousers. 'Now if you tell anyone what happened here I'll tell your mother that you’re a liar and a thief and that you should be put in a home, OK boy', 'OK father', 'now open your trousers and pull them down'. He done what he was told thinking he was going to be slapped across the arse with a cane but he jumped back startled like someone had walked over his grave at the touch of the priest reaching between his legs to take hold of his cock and start pulling on it. He put his strong hand on his back and bent him over the bench while still pulling at his cock he heard his zip opening beneath the robes, 'don't scream boy', he said and forced his hard cock into him. He lay there across the bench biting through the skin of his thumb, his teeth clenched and his top lip trembling as if to start crying but he didn't, he bit harder on his thumb thinking I'm going to kill that dirty bastard.  He could feel the stuff that oozed out of him growing cold between his tummy and the bench as the priest hammered into him moaning like an old pig. His stomach doing somersaults as the priest came inside him. He wiped the cum from his arse with his robe and told Michael to get dressed. He wiped the cum on the bench with his robe and told Michael to leave. He got to the door and the priest said don't forget son one word and you'll be spending Christmas in a home. Michael never turned back he threw the 50 pence piece into the air and heard it smack of the roof of the parochial house and slide down the slates and into its gutter. He ran all the way home crying inside; I'm going to kill that dirty bastard someday.


His father was released from prison he had been interned in Crumlin Rd Jail and Long Kesh. Michael went to see his friend GG to tell him that they were leaving Belfast and moving to Dundalk. They sat in the dining room laughing about the strange machine in the corner of the room that was used when GG's brother died, he died all the time and this machine brought him back to life, it was like something out of the movies an iron lung.
It was dark when he was on the way home, the only lights were that through the curtains of the houses all the streetlights were shot out to let the IRA move freely through the district and for the safety of the people from sniper or British army fire. The sky was red and flakes of black ash were falling like snow as houses and property burned all over Belfast. As he turned left by instinct onto his street a Blatter of bullets came hurtling towards him from a machine gun at the top of the street. They tore through the night cutting the hedges and fences and bouncing off the ground in front of him, he froze to the spot panic stricken. He could see the flashes of the rifle but couldn't move.

A hand came from behind the hedges and grabbed him by the scruff of the neck and dragged him off the street into the garden he could feel the piss steaming hot in his jeans become cold as he lay there on the cold grass. He looked up to see the man, he buried his head in his hand and his mind switched off.

The man took him by the scruff of the neck and the arse of his trousers and threw him clear of the hedges and the fence and he landed in the next garden. The big man with red hair and hands like shovels did this over 12 gardens while dodging the Blatter of bullets from the machine gun at the top of the road. At that time all the doors in the district were left off the latch so the gun men could run though the house and out the back to make their escape. The big man shoved Michael through the front door where he landed flat on the bottom of the stairs, he looked back as the door began to close again with the impact with the wall he saw the big man running across the road and saw the impact of the bullet connect with his head and the blood spurting out. Like the last action shot in a movie before the door closed the view like the curtains in the cinema. He climbed the stairs and cried himself to sleep. The next day the house was emptied into a removals van, there wasn't enough room for him in the front of the removals van so Michael travelled in the white transit van with the soft spoken boyfriend of his eldest sister. Michael didn't have much to say as they travelled along the motor way, Paul O Connor was rattling on about a new start new home etc. with his girlie voice that was beginning to annoy Michael who was trying not to think about what happened the day before but his arse was still sore and every bump in the road reminded him. Michael began to drift off to sleep when he felt something he looked down to see Paul’s hand on his leg slowly moving towards his crotch talking about pulling off and buying him a nice meal and ice cream. Michael jumped back when he realized what was going on, get your fucking hand off me he said to Paul. It’s OK Michael he said you might like it, Michael reached for the door handle and pulled it open held the door ajar and said if you don't stop I'll jump. He climbed into the back and sat on the floor against a tea-chest it was worse on his arse but at least he was away from that dirty bastard. How could he do that if he was going with his sister he thought. Is there something wrong with me, he thought?  He liked girls so he couldn't understand what was happening. They slept on mattresses on the living room floor of the new house that night. Michael woke with his little brother Jimmy hanging around his neck still fast asleep. His brother and sister’s mattresses were empty but he looked across the room and saw Paul sitting up smoking. Paul said good morning Mickey, fuck off said Michael, do you want a smoke said Paul and held up the cigarette waving it. Throw it over said Michael. I'll give you three if you let me touch your wee brother.  Michael seen red jumped out of bed ran across the room and kicked him up the face saying you touch my brother and I'll kill you and he left the room carrying his wee brother beginning to wake.  

He made new friends and the bitterness fueled by the fear and hatred in Belfast began to leave him as he realized that not everyone was at war. He had been out all day with his new friends progging orchards and taking the girls up to Chuhullians castle for a kiss and a grope of tits that didn't yet exist on most of the girls except Lilly who had enormous tits and beautiful erect dark brown nipples she loved to have sucked so they all took turns with her. There was a party and sing song going on when he returned home all the adults and friends were drinking to celebrate his sister’s birthday and the house warming. Michael said goodnight and went off to bed with his little brother. He climbed into the top bunk and began to drift off as soon as his head hit the pillow. He was lost in his dream world and it was as if he was dreaming about Lilly touching his cock. His member began to rise but something just wasn't right it began to feel like it was real and not a dream. As he began to wake he heard his Mother entering the room shouting you dirty filthy bastard and there beside him was Paul with his hand under the bedclothes. She whacked him one right up the coupon and began dragging him out of the room. His father came running up the stairs shouting what's going on. This filthy bastard was up here touching wee Michael when he was sleeping and you wanted this soft talking pervert to marry my daughter get the fucking animal out of here before I kill him. 

It was a cold November morning, he woke early switched on the portable TV that only picked up 2 god damn stations RTE 1 and 2.   He watched the morning news and heard a priest talking about how they should change the law from Canon law to Civil law. "At the end of the day were all civilians who must adhere to the law. Hang the Bastards he thought. On his way into town on the Dart train Canon Law and Civil Law itched around in his brain. He joined the queue outside the Dole office and drifted in with the stench of foul beer and smoke and the stink of some of the dirt birds in the queue to collect his weekly pittance assistance.  He passed two chapels and five pubs on the way to catch the bus back home. He wanted to stop for a pint but he knew the consequences of that as many a time he went home broke so he went to Macs got some groceries and 3 litres of the cheapest red wine and headed home. He filled himself a glass of wine put a couple of strips of bacon under the grill put the needle on the record and the voice sounded sampled through a tanoi, there’s seventy billion people on earth, where are they hiding. As he was listening he remembered what his brother said to him: "Don't be putting that depressing music on again Michael, do you not listen to any happy music" The best songs in the world have been written through melancholy, he answered. What the fuck would he know about music he thought he had disco songs, the music screeched like finger nails on a blackboard.

The image of his dead sister entered his brain and left like a hologram. He drifted off back into nineteen seventy-five as Lou Reed hammered out "waiting for the man". It was a Saturday he was at the markets in Dundalk selling toys and Novelty goods from a wallpaper table. It was cold drizzling on and off so the punters weren't out in force they both sat on milk crates behind the table filled with the goods, him and the stall owner. The man reached across and put his hand on Michael's knee below the table. 'I'll take you to a nice hotel in Dublin, we can stay there for the weekend, I'll take you to the pictures and I'll treat you", he said as his hand moved further up his leg, OK said Michael. "I'm going to go for lunch' he said with a rotten smile on his face lifting the milk crate and reaching into the shoe box with the days taking. He took out some notes put the lid back on and put the milk crate back over it sit there he said and guard that money with your life we'll need it for Dublin and I know exactly how much is in it. When he disappeared around the corner Michael rose from behind the table yelling "Everything must go" get your bargains here he shouted like a professional trader. People began to gather around the stall and he sold the lot in no time everything went for next to nothing anything the people wanted to pay he took. He dandered off home with a shoe box under one arm and a folded up wallpaper table in the other.  The images began to fall thick and fast through his mind and the pen was scribbling unreadable words down as if he'd found the fast forward button in his brain and he pressed it twice. Father Mc Duff was getting a dig up the head in a store room in school. A man in a fruit factory had his hand stapled to a crate screaming.  The image of a man with a butcher’s apron fucking a dead pig.

Having a piss behind a tree at night a hand reached out to grab him, he ran the man through the streets and into a primary school grounds where the man stopped in the shelter. Blood was splattered all over the grey concrete and the red brick walls, ripping one of the 3x2s the kids sat on wet days, beating and beating and beating the man to a pulp. He dropped the pen and reached under the bed and took out a length of blue nylon rope stood on the chair and tied it onto the heavy duty hook he had placed in the ceiling fixed to the rafter. He tied the noose around his neck and spun around 360 degrees like a ballerina on tip-toes looking down on his world and kicked the chair away. The last thing he heard was the record stuck in a groove.

Before his sight went from red too scarlet then black was the priest swinging in the park hanging by a length of blue nylon rope from the rose garden arches. His trousers and underwear around his ankles, the stem of a rose bush sticking out of his innards dripping with blood catching the light of the moon flowing over a fifty pence piece on the grass.















                                                 POARTRY

        The placebo effect continued


Ever since I came to the shores of Ireland I have lived in the exploited and abused world of Christianity, not knowing where I stood in Catholicism or Protestantism.

I always felt outside the realms of spirituality although I find inner peace in my art.  Poetry and painting holds the essence of enlightenment for me so let’s call mine poartry. On my trek through life I have found my own sense of inner peace reading poetry by Raymond carver, and others like him, where water comes together with other water for me is a very spiritual experience and in the reading of that poem I became the river in harmony with nature.  I am sitting there beside that river meandering through life, flowing by the rapids and along the calm stretches.  Through the words of Raymond Carver, I am one with the river (funi) as the Buddhist’s call it, oneness. I feel the same when I read Mary Olivers or Sharon Old’s Chezslaw Milosz or Robert Lowell or look at a beautiful piece of art by Van Gogh, or a piece that stirs emotion.  What was it that Robert Lowell said, ‘language is the imperfection of art and we must use our craft to create something beautiful’. I have lived in Northern Ireland from I was a young boy, I have always wanted to put my Allegiance somewhere it was sore on my arse sitting there on the fence back and forth but it took all that time of confusion for things to settle in my mind. I’m not saying that any killing is right it is not right to take life.  All this trouble could have been over a lot sooner.  Christianity has torn this country apart and they still ring their bells a sad state, it always came across very negative to me and I think in this world of negativity we have to be very careful that we don’t get corrupted by consumerism I think the young people have lost respect because they are drowning in consumerism and there is no one left to help them.

It’s about time we wised up and stopped this disrespectful dog eat dog society we live in it’s about time the government done something.  I believe in most of what the Buddhist has to say at least it’s  very positive.

My poetry and the poetry I read will be chanted like a mantra that finds my center. This is the way I have found to say my thing and be accepted in this world.  I believe everyone has got a story whether their directing a film by someone else it’s their slant they are bringing to the screen. There’s a little piece of them in everything they do just like there’s a little piece of you in everything you do, I want my poems to be like an everyday item say a tea bag, this is my tea bag and I hope someday you’ll lift it and read it and take my experience of that poem with you.  While you’re making that cup of tea remember we are the same kind of people.  What are the sayings, love like you mean it, dance as if no one is watching I could go on but you get the gist?   I dare you to tell them you love them, do something to let them know you love them, the beauty in life is we don’t have the answers and we don’t know what tomorrow brings so make the most of the moment.  as Jarvis Cocker sings go on and give it to her the next click of your fingers could be your last so live like you mean it, go on and give it to her it might just last forever you know it’s now or never, the birds in your garden are all singing your song. As I said before I don’t have the answers to life I am searching like you.  I think the only ones with answers are those who have kicked the bucket passed away to the other-side however you want to say it.  I woke from this terrible ordeal (the stroke) with my friends and family around me I was lucky, get in touch with them now not tomorrow we don’t know what will happen in the next half an hour, poetry and painting is like that in fact all forms of art are like that an expression of our feelings a placebo effect.








GOOD KARMA

We’re living in such a volatile, fragile
state of consumerism, everything
is based on ego/image. I think to-
day we have to be so careful
we don’t slip into the gutter?

While writing this I’m looking at a man-
dala a representation of my soul like
a flower in bloom, a circle within
a circle within a circle, ‘good karma’. 

Imagine there’s a spiritual shop, good
karma. Wave come a long way from
the bleak negativity of the past.

I don’t think we can go back to the tit-
for-tat killings, waking in that neg-
ativity everyday.  Wave had a few years
of peace in this country, let’s not slip back
into that past.  

The beautiful thing was the girl who done 
the representation of my soul never once 
asked me what religion I was
that’s the way life should be. 

I don’t know where I sit when it comes to religion, I think I’m spiritual like the circle within circle within circle I am touching those out there that I think are positive to my life and getting rid of the negativity.
I have lived in northern Ireland through the troubles I’ve seen a lot of negativity especially the way religion has been twisted and turned to suit one side or the other,  in the name of god this country and the world has been abused like a wound on the skin of society lets heal this wound, let’s make a tiny u- turn and if we can all think we can change it then we will let’s stop this negative view that you can’t do this, you can do anything you want you just have to be  positive and tell yourself yes you can do whatever you want at least think that way and hurt no-one. I love that line by the late great songwriter, Townes Van Zandt, ‘I’d like to lean into the wind and tell myself I’m free’.




               

I am not coming to this essay trying to shove something down your throat. Like you, I have searched and searched for the answer, but even in my hours of near-death, I found the same answers as you.
I believe I have been given a second chance for a reason but I’m not asking you to believe in something that fundamentally contradicts itself. I believe what I believe, it’s just that I call mine poatry, you have another name for this mystery, let’s leave it at that-a mystery, mysteries are named so because they want to be left alone; If we find out what the mystery is then that’s the end.  Like poetry, you get something from it, then leave the rest alone for another day.  You will receive something else from the same thing don’t bury it and kill the mystery. It’s about you and how you feel today, everything you receive depends on your mood, how positive and negative you are. 
You have the power to change your life for the better but it’s up to you. The power of positive thought is an amazing determination, tell yourself you can do it.

I’m looking for the answers like everyone else but no self-help book will give me the answers. At the end of the day they are his words, it’s the name he places on it, it’s his answer but who are you called, what’s your name and most importantly what’s your answer? It’s in you, look at yourself!

When I was in the embrace of death there were always questions I needed answering. I remember waking up one night in a cold sweat from a dream. There was a crowd of doctors around me administering drugs. I thought I had died and this was my hell, but I came to realise that heaven and hell are the same place it’s how we think of them, they both exist in your mind but it’s up to you how you paint them - positive or negative. You can walk away if you want, but please don’t get lost in sentimentality, I think It will kill us. Accept the harsh realities of life then escape in your silly sentiment, I no longer have the brain power of dreams to get lost.
I remember many years ago, being kicked to the ground, one night with seven around me and only a beer bottle in my hand. I thought of smashing it over the ring-leader’s head but instead I threw it away, I rolled up into a ball and took the beating. If I had smashed that bottle over his head I would be dead now, not here now writing this essay. It’s up to you your life says what lane it takes. As Robert Frost said, ‘Always take the road less travelled by.’ Life can be affirming, It’s up to you and what you bring to it, so paint your picture with a beautiful sunrise or sunset and you can’t go wrong.

A good friend asked me to write this essay. A searcher like me, she and her son have, along with others have been instrumental in my life since the stroke. They are the ‘road less travelled by,’ they are the sunrise and sunset of my life, they are my positive thoughts: Rod and Jen, my family, Peter and Heather, Paula, Marty and Eileen, my Mother, my sons; even my ex-wife. I wouldn’t be here without those people; they were there for me, It’s at times like this you realize who your friends really are.
Alright I’ll never be 100% the person I was, but I’m alive. I have someone to thank for that, even if it’s my friends and family. I believe in them and they believe in me; that’s what I call the power of healing, the positive force within me. The beauty in this is that there is an alternative, with every other form of religion there is no other way. The beauty is not to ask people to believe in what you believe in. Whatever happened to diversity? Believe in whatever you want to, it’s your right. If he or it paints your day so be it, that’s your positive force.

This past year has been the worst I have ever encountered. The stroke came without warning.  I was on the edge of the bed, then I was on the floor shaking. I didn’t know what was happening. I crawled into my mother’s room and asked her what was happening, she told me I was taking a stroke. She phoned the doctor. All I can remember is being rushed to Intensive Care. I had ‘Locked in Syndrome.’ I knew what to say but hadn’t the power to communicate.
I was flat on my back and could only move my eyes I was so afraid. I thought everyone was out to get me, without the power to resist. I really did believe I would go out in a wooden box.
I remembered an experience from childhood.  I was running along a mossy pier in Cushendall when I slipped and fell into the water. I was trying to get out of there, I feared I would die but when I looked around it was beautiful in there, the seaweed was dancing and for a second it was beautiful, as if I was looking at myself dancing in aquamarine.  An American tourist dived in, pulled me out and the water from my lungs. Since that day I have never met you but thank you for being there at that moment.

Someone once said ‘Never judge your enemy it clouds your judgement.’ The power of positive thought is everywhere it’s what they see in you. These are the positive thoughts I have produced. I’m not looking for sympathy or pity-you can keep it. All I ask is that you read this and determine your own answers, not one that’s shoved down your throat. I hope this is your placebo effect.  I’d like to finish with a line by Leonard Cohen that sums up what I have said, ‘there’s a crack a crack in everything that’s how the light gets in’.

Has time went by or has it stood still what day what time what year is it?  It seems the world is spinning like a hologram of love and hate.  It seems my world was stopped that night when I was taken into intensive care and woke up on my back only able to move my eyes.  I had taken a stroke two years later I think and I’m still recovering.  Last week I underwent an operation on my throat to help me to talk stop the air going down.  Before that I pinched my nose to release the words.  It’s hard to tell whether it’s better or worse I’m drained of the energy I had.  Is this Christmas, Easter or the new year any way it was shit.  I’ve cried my eyes out over the last few days this is the time when you need family and friends.  My x girlfriend encouraged me to write this essay in the hope that it will help other stroke victims.  It doesn’t even have a title I’m out here on a wing and a prayer in the hope that by the last full stop a title would have produced itself.  To make you understand the dilemma I face I feel you need a little background information. I am 46 divorced with three boys ranging from 21,19, and 11.  I know my older boys have lives of their own I don’t want to put them under any pressure but I think I deserve more than 20 minutes at Christmas at least sit down and watch a movie together.  I don’t want to become a once a year dad I’d rather have nothing at all.  Last night I sent my youngest son back home he usually stays with me but I was feeling sad knowing that I’ll be in this wheelchair.   most of the people who go through what I’ve been through end up dead.  last night I wished I was I tied the mobile phone around my neck wrapped it around the bed head and pulled.  I’m not the type of person that is flippant with the idea of taking my own life I know people who have used this as a cry for help but I don’t give sympathy easily.  those people are still alive today I don’t understand that, I think you have to be serious and show conviction I believe that if you really mean it then you do the job right not a half arsed mismatch of an effort. I couldn’t go through with it not knowing what’s around the corner I don’t know what tomorrow brings.  I wrote a poem recently called, loneliness by the way I’m a poet and painter and will include with this essay some of my work.  Loneliness conveys a message of reality and isn’t very good instead ill share with you a positive poem I wrote that conveys the same message but in a different way it’s called not the blues.  We’re living in a very negative world and we have to be careful we could tip the balance.  All I’m saying is show conviction in everything you do. My eldest sister died in 2000 and I’m not going down that road following another funeral cortege.  I know you can’t get away from the reality that one day you’ll have to but let’s delay it in positive thought.

HUMAN WRONGS


We’ve got roses in December
and the yellow petals of spring
The energy of tulips a force from
Deep within.  You can call it
global warming? I call it beauty
at a glance.  You can keep your
hymns, amen corner, I lost
my unbalanced chance.

You shouldn’t have killed Sadam-
Hussein no matter what he done.
We are just as bad as him were
Living by the gun.  They should
have let him rot in the prison
of the mind but it’s too late Eich-
Mann was given that right too.
Instead we will die on
In the martyr of his kind.

When do we turn the other cheek?
We are drifting in deep space
like a race that doesn’t know
When do we say hey boy!
we have had enough, when
do we live in positivity?
not in the rough.

Christianity is negative
the righteous path
of the chosen few.
Life is precious
celebrate it new.
Think of life as positive
You’ll be the chosen not
the few, cherish life live
and love this is not the blues.


I’m not telling people what to do, I know it might sound preachy but I’m not standing on a pulpit delivering a sermon.  Cherish life, it seems to me life is so cheap.  I lay in the hospital for almost a year so I had plenty of time to think.  The simple things of life are so important to make our lives grow. Respect for one we are losing that in this consumerist world.  It seems to me that we are focusing on the wrong issues.  Some people are blaming my life style for the state I’m in and yes it has a lot to do with the way I lived.   Trying to be a free spirit and enjoy life maybe in the back of my mind I knew this was going to happen.   There really is no one or nothing to blame I’m just a statistic.  A stroke is up there as one of the highest forms of death, my mother took five strokes It’s in my genes and my sons genes.
 It is a flaw in our human system whether it be a flaw of evolution who knows or if there is a higher being involved.  I am my own destiny and I make my own luck and this is a stroke of misfortune but let’s not think negative maybe it’s a stroke of fortune.

I think differently today because of what happened so maybe it’s a good thing in my other world I was lost going around and around in the hologram of love and hate.  I don’t drink or smoke my sister called me Christian/born again Adrian the other day.  I didn’t see the light and some spiritual being didn’t enter instead I woke up in hell.  I had to deal with my life in a way that I wasn’t used to. Carers coming in the morning to get me dressed and now that I’ve had this other operation I relay on others more as the life it seems was sucked from me but determination is a great thing and I wouldn’t be here today only for it.  So think positive and don’t get lost in this consumerist hell.

In his wonderful book Milan Kundera wrote, we can never know what to want, living only one life, we can neither compare it with our previous lives nor perfect it in our lives to come. I know my previous life seems a bit of a dream but I feel I’ve been given a second chance.  By who I don’t know god, Buddha, my dogged stubborn determination It’s too easy to say it was god and pass the buck onto a higher being a mickey mouse figure.  It was me and positive thought that got me through, it was my determination. I was talking to someone the other day and this girl had been through the school system and never got much from it and now she’s writing a book.  I was trying to tell her that it was her strength that got her to where she is today but she’s convinced that it was a higher being. If the belief in a higher being brings positive thought so be it.  Respect the other persons view someone once said during the American civil war, I think it was general lee, he said, never hate your enemy, suspend judgement it clouds your view.  When I read that I thought wow what a line if only people heeded it.   after seeing the conflict and felt the hate in Northern Ireland this line has always been there at the back of my mind ready to be loaded into the magazine of positive thought.  If this is karma for the life I lead I have no regrets and I don’t want to blame anyone else.  That’s what we do in the negative world of pass the buck.  I had a great time this isn’t some box I tick and move along let’s not get so cheap and flippant about life it is a precious thing not a commodity that can be bashed around on the journey through life.   Writing keeps me content and very sane, I was looking for a new way to present my poems to give you an insight into my work.  Poetry I think is for sharing and with the aim of the great American writer Raymond carver who is still excluded from the ranks of poetry he always tried to make poetry accessible.  He stands for me among the greats like Chekhov and Turgenev, Hemingway, Anderson, Capote. Anyone who captures silence in a story has caught the essence and he done it.  I read a new path to the waterfall recently again and was brought to tears by its honesty.  Thank you Tess Gallagher for a beautiful introduction.  Although this format is an old one and has been used by many writers it has only been used as a critical format or for the thesis of an M, A.  I want to change the way we view poetry and not let it slide over our heads as if it holds some wisdom. I remember going to a creative writing class and we read out our work and the teacher behind the security of a desk was aloof as if she had some wisdom she wasn’t willing to share.  Bollocks I went away thinking never will I teach poetry like that, alright poetry is a beautiful thing and should be embraced by those who love it but it’s got to be accessible to as Robert Lowell said leave it open and use all the craft you have to create it, he also said imperfection is the language of art.  This is my imperfection.

Yet why not say what happened
                                   R, Lowell




                                    

I’d like to start with a poem well I call it a quatrain of thought a moment captured.   I see this on the road from Foster green hospital on my first day release.

Belfast

Imagine, just past
the garden of Peace
a sign reads
hope.




Heart-shape vermillion red
For Paula

I woke this morning reached out and
The snippets of dreams began
To fade into the night sneaking
Through the sides of the curtains
Dancing out of the corner of my eye.

Re-tracing my flesh as if brushing
Away sleep. I found one of your hairs
Teased it out like a golden thread
Searching for the eye of the needle
Stitched it to memory and felt your
Touch penetrate beneath the skin.

With the beginning of this poem
In mind, I stumbled for a pen.
Threw back the covers to reveal
Heart-shaped vermillion red, the dark
Outline following the contours of your flesh
With the precision of an artist’s brush stroke
As if I’d known you inside out, still
Moist in my mind your kiss.

I would like to introduce you to some poems written before I took the stroke.  These poems try to catch Patrick Kavanaghs simplicity.   his collected poems were words of wisdom for me, alright there might be some that are scrappy and loose at the edges but that for me was the beauty in his work.
 He was showing me and younger poets the flaws that he spent his life trying to re-write. You can’t cut a beautiful sod of earth from the bog.








PROSE-TALE

The name implanted itself
Took root and merged
A half-truth
a distorted memory
One that really did happen.

It’s as if it’s behind sight
The emotion removed
The life you thought
was true becomes
a prose tale?




A NOVEL POEM

The beginning

Jack lay back on the bed and uttered god, god, god
God, god. Closed his eyes so no other thought could
Enter and chanted on god, god, god, god, god.

The middle


He bolted upright into a yoga pose and waited.
The wind outside began to lift, he could feel
And hear it through the open window.


The end

He looked out and saw the pink red and yellow
Petals fall from the blooming roses
In the back garden.




A CROW

Opening the curtains this Sunday morning,
A flock of crows on the overcast sky
You would usually see the odd one out there
Flitting about on the autumn wind,

Flying like debris of alive fossil,
Wings of skin from the Graubelle man,
Manifested from bog oak into grey skies.

It’s as if you were looking at darkness so long
Blotches appeared on your eyes,
Shadows left over from gothic tales, medieval
Times, as near and as far as the crow flies,

Fragments from a womb dream, beauty
Full, black, beauty, full, black, beauty, full, black.

As you’ve heard I love the work of Robert Lowell my favourite poem is epilogue I think poetry captures something and this poem is like a snap shot, it captures the light of all art forms heightened by life.  The killing of the school children in Russia affected me so much that I was the verbal arts officer at the millennium court in Portadown, I created a book of condolence that would travel around the local schools.  I thought the council would take on this venture when I phoned and asked I went for it. I wrote the poem when I went to Brownlow school to deliver the book of condolence to four hundred school children sitting on the floor of the school assembly.




THE BALANCING LAKES

Trying to clear my head of this morning
I find myself on a wooden pier.
The pier seems to shift and move me
Out there where the swans struggle
To take to the air.

Four hundred children were hunkered down
On the floor of a school assembly.
I was there to give a presentation
On a book of condolence, reading Viloshin’s
‘Terror’ and my poem ‘A Collective Grief’

To four hundred children hunkered down
On the floor of a school assembly.
Anna Akmatova asked,’ Why is our century
Worse than any other?’

A swan and four young cygnets
Catch the corner of my eye heading for shore.


This next poem was created when my girlfriend sorry x girlfriend and me went for a walk along the Bluestone road.  My sister who was an alcoholic and called Stephanie Fox is buried out there in Lylo churchyard and the Quakers graveyard is there too.


Bluestone road


My sister and a Quaker graveyard lie low
By the side of the road.  We visited both,
Paying homage to the sacred ground.

At the Quakers’ it seemed the wall garden
Was all that was needed.  Simple in life
And death.  ‘Cool,’ I thought, after all
The hardest thing to reach is simplicity.

Along the path towards the arched gateway
You said, ‘It’s like walking into heaven, a secret garden
look at the grass tipped pink in the sunset.’

My sister was a Fox, no connection to Anne,
First daughter of George.
 If only she had trembled with an inner light
That didn’t chill her to the bone.
If only she had uttered Thou.





Pagan poet


One syllable
Appears on the page
The word sun.

The soft sway
Of language breezes
Across the fertile Earth.

The clarity
Of the new day
Forms the seed of a poem.

The next two poems are elegies the first for my father after visiting his un-marked grave in Hanna town graveyard in the second I was trying to get my head around my sister’s death.  I was in Canada for my brothers first born when I got the phone call she was dead.
Three weeks before I gave her a hug and said if you don’t sort this out I’ll be carrying your coffin.  Three weeks later I was.




The Light on the Stones

I retrace your final journey now in a blue car,
Not black, alone on the motorway.
Passing the Maze prison, the stench of my engine
Overheating is like gunpowder, spent shells,
Lingering, your dream of Irish freedom.

I climbed the mountain graveyard
Above the violent divided the city,
Above the peace line that stood between us
In the Livingroom.

Your plot all weeds,
And wild grass cries out for order.
The fallen wooden cross bears no name;
But you are there. Like a sculptor
With clay I reach inward, my hands
As delicate as salmon wings riding
The white water, struggling
The strong currents of grief.

I brush the soiled tears from your eyes
And you wake in me, swimming
And glistening in mine. My hands
Shape the clay moulding our wounded past,
Emerging in the light on the stones.

Wait for me to lie down on the grass, on the weeds
On the boulder you rest your head upon.


Half a Sestina for Stephanie

How can I write a sestina for you?
Six stanzas of six lines concluding death,
Killing yourself in a three-line envoy.
I, who doesn't know the time of day
When the lines of your life were diverted
To lie low in the Blue-stoned soil.

Reliving grief, my hands delve in the soil
Moulding a clay figurine of you.
Retracing the black paths that diverts
My gaze away from the sunset to death.
A photograph of you on your wedding day
Your smile didn't convey loves envoy.

Was it back then that the messenger
Whispered phlegm words that soiled
Your soul to fall early to your funeral day.
Did a touch reach out and abuse you?
Fondling filthy caresses to die
Out there on the back roads where diverted

Diversions took you
Round and round
To fall foul of the dead end.


This poem is based on the memory of the attic space of 73 Etna drive it is also based on internment morning awakened with a crowd of soldiers around me and my father taken away without trial.


RADIO REALISM

On the little teak Marconi
In the attic space of 73 Etna Drive
We watched Match of the Day.
The bunk beds now separated sounded
Like a football supporters rattle.
Beside the tower of cards on the chest
Of drawers between us were two sets
Of 11 perfectly placed, Manchester United
And Tottenham Hotspur.

When the black and white images faded
Into God save the queen and the white
Dot on the TV disappeared.

The images were replaced by the frantic
Crackle of police messages echoing signals
From the street through the dormer window.
Megahertz igniting Molotov cocktails
And the inferno of Farringdon Gardens.
Unlike, “The War of the Worlds" the black
Screen transmitted a special powers act,
Roger, Charlie, Victor and Bravo
          Brought the front door down.







Oklahoma bomber will go to death armed with poem

I thank whatever gods may be
For my unconquerable soul.
                           William Ernest Henley
              

I Watched the Panorama programme
On your death and took the Sunday
Times out of the recycle bin to read
The poem you took with you.

I tried to write a poem for you
But I got caught like shrapnel
In the moral maze. I tossed
Your scribbles and a newspaper
Article to the bottom of the pile.

I have children of my own
So it's difficult to find your words.
I mentioned your name in a pub
In a conversation on Big Brother
The silence nominated your eviction.

Tim Mc Veigh you had a lot to say
It exploded from your heart,
A cresh a Federal building
A grain of sand in a desert storm.
You lay there under the deep pile
Of rubble at the end of my desk.

The wind lifted and changed direction
Slamming the front door, removing
The blue tacked laminated poster
Of a native American from the wall
With the quote: "Mans Greatest enemy
Is Man Himself", taking to the floor

The pile of papers on my desk revealing
         A picture of you and this poem.

This is a poem I wrote one night sitting by the statue of Atilla Jozsef the great Hungarian poet.  I was there for four weeks and seen most aspects of Hungarian life.  I had a wonderful time thanks to Gobi of the British council and Andrea from Szeged university,
It’s one country that suited my sense of freedom.


Poem on a Big Mac Carton
for Attila Jozsef

I might have been anywhere today
Off, away off in a dream.
Walking through the streets of Szeged
Like the shadow of my former self.
Shifting through the quiet street’s
With the presence of a sculptor.
Someone who was once there, but
Is now forgotten to stand where
There’s no artificial light even the full moon 
Can’t penetrate the catacombs of your eyes.
I sat with you drunk, I had a Big Mac
and wrote half this poem, With a Pure Heart.

Daylight breaks over Bagdad this morning
And the lacerations of yet another war highlight
The gashes left by the artist’s indentations.
Without a god, a sense of place, I’m alone
Once more lost in the space awarded me.

I passed you by the next day as the strong
Spring sun kissed away the cold of winter.
I wondered why they placed you there
In the cold dark, the young students gathered
Around a fountain out of order just yards away
From your towering presence, the sullen
Glance of Szeged diverted its gaze away, as if
You should be abandoned like an old regime
Put in your place in a Statue Park.















Dusk


The glaring rimless sun reflects
Its halloed image in
A sheet of snow cloud.

Flakes of vertigo
Pelt the windscreen
And the jagged glitch

Sharpened waves
Of the balancing lakes
Slash the sun

Bleeding the horizon.


The Teenage Mutant Ninja Turtle Bin

I’ve been flicking ash and bad poems into that bin for years.
Tonight I scrunch up and discard the worthless beginnings
Of a poem and it catches my eye, the way the vibrant
Colour of a flower would in a barren landscape.

My kids passed it onto me when they stopped being kids.
Not that they don’t use it anymore. My shit poem is in
There among their M&M and crisp packets,
The remnants of a toilet roll, an empty bath oil bottle,

And my wife’s discarded instructions on the in's and outs of Tampax.
Louis Mc Neice was right when he said; "Poets don’t know
What they are doing, if they did it wouldn't be done".
I never ever thought I would get Teenage Mutant Ninja
         Turtles into a poem.


Woman in Heat

From my window I watched
The summer's day unfold,
A slight breeze fluttering
The leaves of the tree.

The dark shadows falling
Thick from the cars, fences
And lampposts on the heat
Hazed tarmac road.

Everything seemed perfect,
The children's voices playing
In the wind somewhere.

A heavy set woman with white hair
And a flushed face passed by.
With her left hand she shoved
A pram with an infant on board.

With her right hand she dragged
a large blue wheelie bin.
Crucified by the waste,
The infant and the heat.





Nucella

for Robert Lowell

"Imperfection is the language of art"

I was reading your biography by Ian Hamilton;
During the 15th chapter I discarded the bookmark,
A postcard I bought in Galway.
The title was: Happy Dogwelk, (Nucella).
Your finger the pale shade of marine life
Blending with starfish and seaweed, pointing
To the sea bed.

Now  I know where I stand in your intricate
Hard waters.

I sit here at the dining room table, filled
With Whisky, Beer and poetry.
I look up into a mirror that shows my way
upstairs, if I dare move from this spot
And chance my way into the reflection
of the first day of March.
Then, only then, will I descend the stairwell
Of my youth.

"Dolphin"
" My eyes have seen what my hand did".

I wish I had known you,
Even to say hello in the street.
To know why I cry on your words
To know why I cry, full stop.


The next few poems are for my friend Jimmy Simmons it was Jimmy that encouraged me to do my M.A. I went for a retreat at the Poets house in Port muck island- magee.  Before I left I was offered to study for a M.A. by Jimmy and Janice Simmons. The Poets' House was a long time dream.  When she and her husband, the poet James Simmons, moved from Belfast to Portmuck in County Antrim they decided to realize that dream.  They would  bring Irish and American poets together in a supportive ,creative and homely environment.  The student poets would work in the home of the poets, in an environment where poem’s and poetry were part of everyday life.

The Portmuck House was situated high above a small harbor with dramatic views of Ailsa Craig and The Mull of Kintyre.The Poets' House opened in December 1990
in the first few years the couple ran a summer festival over three three fortnights.  Each day there was a guest poet who gave a morning lecture an afternoon workshop and an evening reading.  Irish Poets such as Seamus Heaney, Paul Durcan, Derek Mahon, Nuala NiDhomnaill, Cathal Ó Searcaigh, Paula Meehan, Eilean NicChuilleanain, Thomas McCarthy, Medbh McGuckian taught with American Poets William Matthews, David Keller, Jean Valentine, Richard Tillinghast, and Billy Collins.

In 1993 Jimmy and Janice, with the support of Lancaster University began teaching the first creative writing M.A. in Ireland.  Janice and James built a new Poets House tucked under Muckish with two classrooms and ample library space.  The house had two faculty bedrooms for summer visiting poets.  In 1998 Lancaster University approved the first Irish Language creative writing degree in the world.  It has been a long road, but Teach na hÉigse is now long established and has recently received charity status.

Thanx to those people for this creation.


STAINED GLASS
i.m. Jimmy Simmons                               

The Summer sun ricocheted
Of a Bloody Foreland, freeing
A winters cold rock face.

Held like the mirrored words
Of your poems, skimming
The water with undulated joy.

Creating ripples on the surface
That streamed through the plain
Windows of Killalt Church.

Staining them with the colours
            Of poetry, music and song.


I was a pallbearer at jimmies funeral and I never knew who Eamon Grennans work since then I have read his beautiful poems.  Poems like detail and others catch that essence of simplicity I hope mine one day captures that beauty.


         Splinter
         for Eamon Grennan

        "I'll never carry another coffin with you",
         You said, as we shook hands and you departed.

Before that I never knew you from adam,
I had to ask someone to point you out,

    Too stand tall as a pallbearer stands.
    Since then I have read your poems.

 The remnant of a fibre brushed off
 By a flaw on the backbone of the coffin.

            That line sticks in my head like a splinter
            From a shroud of linen these words can't tweaser out.



This next poem I wrote for two of my heroes I walked along the Ray river to the sea.   I didn’t know how to finish my thesis that I done on Raymond carver and Patrick kavanagh trying to link them.  This poem became the end of my thesis Id like to say thanks to Bob Wavle for letting me stay in his cottage by the Ray river.


Ray River

Although I’m here in Donegal and not Yakima,
Washington state,  or in Dublin reclining
On the Banks of the Grand Canal.

I feel a sense that Raymond Carver
And Patrick Kavanagh are here with me
Following the Ray River to the sea
Of this poem.

The winds sway the reeds reflecting
On the rippling water, on a bend a stream
Flows into the Ray, cascading on the rocks.
I love the music of this place, the silent
harmonies of the source, the spring;
Falling from high on Muckish Mountain.

another stream flows in ever so quiet,
secretly subtle, like the clarity
Of wonder in the undercurrents.

Im here at the sea, the reservoir.
Tory Island looms black, remote above
The wild white waves, poetry echoing
Across the golden strand.

The colours of a rainbow rise from the sea,
The intangible essence that lingers here.

The blending colours fade to blue
And I feel a slight tingle on my fingers.
I look down to see a multi coloured spider
Crawling across my hand and the open
Pages of this notebook, as if that
were its only purpose.



The following poems are based on my childhood during the troubles in Belfast.  Hindsight is a wonderful thing.  I thought at that time all the world was at war.



SHELL SHOCK

Memories drift away
In the distance,
Retiring silently.

Was it ever real
Or just imagined?

The horrors
Of this century
Recalled like
Fragments
Of shrapnel.

Logged And lodged,
Passed on
From the genes
Of our ancestors.

Shell-shock from a previous life.



This poem is based on a poem by Robert Lowell it reflects images of 9-11 and images of Belfast I tried to mix the both atrocities.

New York 2001: Fragment

Gazing into the ether's crystal ball,
Sky and a sky, and sky, till death-
My heart stops...  Robert Lowell.

I woke at six this morning, disturbed
By one of those dreams of falling
Where, they say if you dont wake up
Before you hit the ground, you'll die.

The images splintered away festering
Like a slither of metal or glass imploding
Beneath the cornea of my eye.

I was falling with others filling the sky
Then I was watching them fall grey,
Ashen, dust, a flimsy hologram.

I'm trying to assemble these words
From the debris of Sky News, a poem
By Robert Lowell, a dictionary to look up
Ether and find a line from "Paradise Lost".

Him the almighty power hurled
Headlong from the ethereal sky.

I recalled being the son of a terrorist
In Belfast, I picked up half a brick
And watched it take to the air, kite like
Swimming, until it crashed into the face
Of a black British soldier.

I didn't know then that I was the Siegfreid
Sassoon of Ardoyne. I didn't want a slap
On the back to congratulate the fine shot
Or another X marked in my school jotter
That replaced the teachers star.

This was war and I was sick to death of it.

I ran like the blood trickling along his face
Through the crevices and alley-ways
Into a friends intestines slithering like
Snails on the concrete. His mother yelling
"The bastards have shot my only son".

That night I cried myself to sleep
And lost myself in a peaceful dream.
It seems I have to go back there into
The dark recesses of my childhood
To let the words come out the otherside.

Can you run away through the Avenue's
Of blood, a friend or family member's
Image flickering when you close your eyes?
Can you wake in the morning and refuse
The X being marked on your school jotter?




Sunday Morning

Belfast 1970, a grey sky hung
Mucus of tar, the scent of hatred
And spent shells residue.

A woman loved for a moment
By the enemy, cried like a gull
Embedded in an oilslick, somewhere
Off the coastline of my heart.

The etched guilt of a one night stand
Tied to the lamp post. Some men
Passed wrenching traitor, slut, cunt,
And greenhorns from their throats,

That slithered on the black tar
Of her breasts, seeping into
          The feathers of her heart.



Unwritten grafitti is my plea for peace hopefully one day this poem will be written on the wall instead of the usual rhetoric we see and hear.  One day poetry will become the language we utter everyday.

Unwritten Grafitti

It’s what we won’t write now
That really matters.
The clear white pristine
Spaces between the verses.

Vacant virgin gable walls
Kerb stones free of colour.
The horizon of the other side
Across a non-existent peace line.

The absence of a mind-set
Locked in cells of oppression.
Just a gentle suffering where
The weather, love, birth, death



Naturally RULE OK!